The summer before Troy Stotts turns seventeen, his mother dies. Troy and his father barely speak, communicating instead by writing notes on a legal pad by the phone. Troy spends most of his time with his closest friends: Tom Buller, brash and fearless, the son of a drunk; Gabe Benavidez, smart enough to know he’ll never take over the family ranch; and Gabe’s sister, Luz, whose family overprotects her, and who Troy has loved since they were children. Troy and his friends don’t want trouble. They want this to be the summer of what Troy calls “ghost medicine,” when time seems to stop, so they won’t have to face the past or the future. But before the summer is over, their paths will cross in dangerous and fateful ways with people who will change their lives: Rose, a damaged derelict who lives with a flock of wild horses and goats; and Chase Rutledge, the arrogant sheriff’s son. Troy and his friends want to disappear. Instead, they will become what they least expect —brothers, lovers, heroes, and ghosts.

It’s his last year at Pine Mountain, and Ryan Dean should be focused on his future, but instead, he’s haunted by his past. His rugby coach expects him to fill the roles once played by his lost friend, Joey, as the rugby team’s stand-off and new captain. And somehow he’s stuck rooming with twelve-year-old freshman Sam Abernathy, a cooking whiz with extreme claustrophobia and a serious crush on Annie Altman—aka Ryan Dean’s girlfriend, for now, anyway. Equally distressing, Ryan Dean’s doodles and drawings don’t offer the relief they used to. He’s convinced N.A.T.E. (the Next Accidental Terrible Experience) is lurking around every corner—and then he runs into Joey’s younger brother Nico, who makes Ryan Dean feel paranoid that he’s avoiding him. Will Ryan Dean ever regain his sanity? From the author of the National Book Award–nominated 100 Sideways Miles, which Kirkus Reviews called “a wickedly witty and offbeat novel,” Stand-Off is filled with hand-drawn infographics and illustrations and delivers the same spot-on teen voice and relatable narrative that legions of readers connected with in Winger.

Once again blending multiple story strands that transcend time and place, Grasshopper Jungle author Andrew Smith tells the story of 15-year-old Ariel, a refugee from the Middle East who is the sole survivor of an attack on his small village. Now living with an adoptive family in Sunday, West Virginia, Ariel's story of his summer at a boys' camp for tech detox is juxtaposed against those of a schizophrenic bomber and the diaries of a failed arctic expedition from the late nineteenth century. Oh, and there’s also a depressed bionic reincarnated crow.

Marbury is another world, a dark world that best friends Jack Whitmore and Conner Kirk have fallen into before. A stranger had given Jack a pair of glasses – it’s through the lenses that the boys get to Marbury. Told through Conner’s point of view, THE KING OF MARBURY asks whether Marbury is only in Jack and Conner’s minds, or if it might actually be real. You decide.

Best friends Jack and Conner can't stay away from Marbury. It's partly because of their obsession with this alternate world and the unresolved war that still wages there. But it's also because forces in Marbury—including the darkest of the dark, who were not revealed in The Marbury Lens—are beckoning the boys back in order to save their friends . . . and themselves. The boys try to destroy the lens that transports them to Marbury. But that dark world is not so easily reckoned with. Reality and fantasy, good and evil—Andrew Smith's masterpiece closes the loop that began with The Marbury Lens. But is it really closed? Can it ever be?

Sixteen-year-old Jack gets drunk and is in the wrong place at the wrong time. He is kidnapped. He escapes, narrowly. The only person he tells is his best friend, Conner. When they arrive in London as planned for summer break, a stranger hands Jack a pair of glasses. Through the lenses, he sees another world called Marbury. There is war in Marbury. It is a desolate and murderous place where Jack is responsible for the survival of two younger boys. Conner is there, too. But he’s trying to kill them. Meanwhile, Jack is falling in love with an English girl, and afraid he’s losing his mind. Conner tells Jack it’s going to be okay. But it’s not. Andrew Smith has written his most beautiful and personal novel yet, as he explores the nightmarish outer limits of what trauma can do to our bodies and our minds.

Finn Easton sees the world through miles instead of minutes. It's how he makes sense of the world, and how he tries to convince himself that he's a real boy and not just a character in his father's bestselling cult-classic book. Finn has two things going for him: his best friend, the possibly-insane-but-definitely-excellent Cade Hernandez, and Julia Bishop, the first girl he's ever loved. Then Julia moves away, and Finn is heartbroken. Feeling restless and trapped in the book, Finn embarks on a road trip with Cade to visit their college of choice in Oklahoma. When an unexpected accident happens and the boys become unlikely heroes, they take an eye-opening detour away from everything they thought they had planned—and learn how to write their own destiny.

Two brothers leave home looking for their father, and find themselves hitching a ride with a violent killer – here is a road trip from hell. Jonah and his younger brother, Simon, are on their own. They set out to find what's left of their family, carrying between them ten dollars, a backpack full of dirty clothes, a notebook, and a stack of letters from their brother, who is serving a tour in Vietnam. And soon into their journey, they have a ride. With a man and a beautiful girl who may be in love with Jonah. Or Simon. Or both of them. The man is crazy. The girl is desperate. This violent ride is only just beginning. And it will leave the brothers taking cover from hard truths about loyalty, love, and survival that crash into their lives. One more thing: The brothers have a gun. They're going to need it.

Sixteen-year-old Austin Szerba interweaves the story of his Polish legacy with the story of how he and his best friend , Robby, brought about the end of humanity and the rise of an army of unstoppable, six-foot tall praying mantises in small-town Iowa. To make matters worse, Austin's hormones are totally oblivious; they don't care that the world is in utter chaos: Austin is in love with his girlfriend, Shann, but remains confused about his sexual orientation. He's stewing in a self-professed constant state of maximum horniness, directed at both Robby and Shann. Ultimately, it's up to Austin to save the world and propagate the species in this sci-fright journey of survival, sex, and the complex realities of the human condition.

Moondust: In Search of the Men Who Fell to Earth Book Description In 1999, Andrew Smith was interviewing Charlie Duke, astronaut and moon walker, for the Sunday Times. During the course of the interview, which took place at Duke's Texan home, the telephone rang and Charlie left the room to answer it. When he returned, some twenty minutes later, he seemed visibly upset. It seemed that he'd just heard that, the previous day, one of his fellow moon walkers, the astronaut Pete Conrad, had died. 'Now there' s only nine of us,' he said. Only nine. Which meant that, one day not long from now, there would be none, and when that day came, no one on earth would have known the giddy thrill of gazing back at us from the surface of the moon. The thought shocked Andrew Smith, and still does. "Moondust" is his attempt to understand why.

Fourteen-year-old Stark McClellan (nicknamed Stick because he's tall and thin) is bullied for being "deformed" – he was born with only one ear. His older brother Bosten is always there to defend Stick. But the boys can't defend one another from their abusive parents. When Stick realizes Bosten is gay, he knows that to survive his father's anger, Bosten must leave home. Stick has to find his brother, or he will never feel whole again. In his search, he will encounter good people, bad people, and people who are simply indifferent to kids from the wrong side of the tracks. But he never loses hope of finding love – and his brother.

Told with Andrew Smith’s signature dark humor, Rabbit & Robot tells the story of Cager Messer, a boy who’s stranded on the Tennessee—his father’s lunar-cruise utopia—with insane robots. Cager has been transported to the Tennessee, a giant lunar-cruise ship orbiting the moon that his dad owns, by Billy and Rowan to help him shake his Woz addiction. Meanwhile, Earth, in the midst of thirty simultaneous wars, burns to ash beneath them. And as the robots on board become increasingly insane and cannibalistic, and the Earth becomes a toxic wasteland, the boys have to wonder if they’ll be stranded alone in space forever. In his new novel, Andrew Smith, Printz Honor author of Grasshopper Jungle, will make you laugh, cry, and consider what it really means to be human.

Sirens, sprites, and gentleman astrologers are everyday things in the Woven City. So when the Crusader, a 7-foot-high suit of armor with no one inside, begins hassling people outside Mme. Rumella's Tea Shop, her main concern is that he might disturb her customers. His search for an ancient artifact will come to preoccupy not only the two of them, but Mme. Rumella's young nephew, archaeologist Leila Lanstrom, Mary, Queen of Scots (but don't call her that to her face) and a whole cast of City characters, few of them reputable. Meanwhile, a man from Spain runs for mayor, the infamous Hunter Blue returns from the Forests after an absence of a few centuries, carrying a big gun and looking for revenge, and a very boring linguist disappears from the Mulhoy Institute of Extinct and Imaginary languages. It's all very distracting, but the Crusader is single minded of purpose, never resting as he searches from the walls of Jericho to the British Museum, to the Pyramid of the Sun, which in the Woven City is mainly used by people looking for a good place to go jogging.

Sam Abernathy prepares to leave home for the first time in this charming follow-up to award-winning author Andrew Smith's The Size of Truth.Vampires have just moved in to the haunted house next door. All twelve-year-old Sam Abernathy wanted to do was make the most of his last few weeks in Blue Creek before he has to say goodbye. Goodbye to the well he fell in eight years ago; goodbye to cooking at Lily Putt's snack bar; goodbye to his overdramatic best friend, Karim; goodbye to unsweetened iced tea at Colonel Jenkins's Diner every Saturday with Bahar (who he does not have a crush on); goodbye to his old life. But the arrival of the Monster People throws a wrench into his plans. Things only get worse when the new family hires Bahar to babysit their child, Boris, who is almost certainly a cannibal. And then—scariest of all—they employ Sam's catering services. He can't possibly say no. If he doesn't survive the summer, Sam...

A boy who spent three days trapped in a well tries to overcome his PTSD and claustrophobia so he can fulfill his dream of becoming a famous chef in this charming novel that is Andrew Smith's first foray into middle grade storytelling.When he was four years old, Sam Abernathy was trapped at the bottom of a well for three days, where he was teased by a smart-aleck armadillo named Bartleby. Since then, his parents plan every move he makes. But Sam doesn't like their plans. He doesn't want to go to MIT. And he doesn't want to skip two grades, being stuck in the eighth grade as an eleven-year-old with James Jenkins, the boy he's sure pushed him into the well in the first place. He wants to be a chef. And he's going to start by entering the first annual Blue Creek Days Colonel Jenkins Macaroni and Cheese Cook-Off. That is, if he can survive eighth grade, and figure out the size of the truth that has slipped Sam's memory for seven years.