Doris Lessing's contemporary gothic horror story—centered on the birth of a baby who seems less than human—probes society's unwillingness to recognize its own brutality. Harriet and David Lovatt, parents of four children, have created an idyll of domestic bliss in defiance of the social trends of late 1960s England. While around them crime and unrest surge, the Lovatts are certain that their old-fashioned contentment can protect them from the world outside—until the birth of their fifth baby. Gruesomely goblin-like in appearance, insatiably hungry, abnormally strong and violent, Ben has nothing innocent or infant-like about him. As he grows older and more terrifying, Harriet finds she cannot love him, David cannot bring himself to touch him, and their four older children are afraid of him. Understanding that he will never be accepted anywhere, Harriet and David are torn between their instincts as parents and their shocked reaction to this fierce and unlovable child whose existence shatters their belief in a benign world.

The fourth in Doris Lessing's visionary novel cycle Canopus in Argos: Archives. It is a mix of fable, futuristic fantasy and pseudo-documentary accounts of 20th-century history.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle ‘Canopus in Argos: Archives’. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a ‘totally crazed species’, racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing’s astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.

The second volume of Doris Lessing’s Collected African Stories, and a classic work from the winner of the Nobel Prize for Literature. "As for these stories – when I write one, it is as if I open a gate into a landscape which is always there. Time has nothing to do with it. A certain kind of pulse starts beating, and I recognise it: it is time I wrote another story from that landscape, external and internal at the same time, which was once the Old Chief’s Country." — Doris Lessing, from the Preface. This much-acclaimed collection of stories vividly evokes both the grandeur of Africa and the glare of its sun and the wide open space, as well as the great, irresolvable tensions between whites and blacks. Tales of poor white farmers and their lonely wives, of storm air thick with locusts, of ants and pomegranate trees, black servants and the year of hunger in a native village – all combine to present a powerful image of a continent which seems incorruptible in spite of all the people who plough, mine and plunder it to make their living. In Doris Lessing’s own words, "Africa gives you the knowledge that man is a small creature, among other creatures, in a large landscape."

A visionary novel from Doris Lessing, winner of the Nobel Prize for Literature. It is sooner than you might think. And the Earth’s climate is much changed – it’s colder than ever before in the north, and unbearably dry and hot in the south. Mara, who is seven, and her four-year-old brother Dann find themselves somewhere very strange, not home … They are taken in by a kindly, grandmotherly woman, but this new life is hard: hunger, dirt, thirst and danger are the children’s constant companions. Drought and fire carry off their adoptive home and force them to set off northward into the unknown, to experience a series of adventures that bring them to an altogether altered world, where they can start to learn and build anew. Doris Lessing has written a compelling, troubling and entertaining novel that, through the remarkable odyssey of a brother and sister living in the imagined future, manages to tell us a great deal about the present we perceive only dimly and scarcely know how to value.

A fascinating look inside the mind of a man who is supposedly "mad."

Dann is grown up now, hunting for knowledge and despondent over the inadequacies of his civilization. With his trusted companions—Mara's daughter, his hope for the future; the abandoned child-soldier Griot, who discovers the meaning of love and the ability to sing stories; and the snow dog, a faithful friend who brings him back from the depths of despair—Dann embarks on a strange and captivating adventure in a suddenly colder, more watery climate in the north.

Love, Again tells the story of a 65-year-old woman who falls in love and struggles to maintain her sanity. Widowed for many years, with grown children, Sarah is a writer who works in the theater in London. During the production of a play, she falls in love with a seductive young actor, the beautiful and androgynous 28-year-old Bill, and then with the more mature 35-year-old director Henry. Finding herself in a state of longing and desire that she had thought was the province of younger women, Sarah is compelled to explore and examine her own personal history of love, from her earliest childhood desires to her most recent obsessions. The result is a brilliant anatomy of love from a master of human psychology who remains one of the most daring writers of fiction at work today.

Set in South Africa under white rule, Doris Lessing's first novel is both a riveting chronicle of human disintegration and a beautifully understated social critique. Mary Turner is a self-confident, independent young woman who becomes the depressed, frustrated wife of an ineffectual, unsuccessful farmer. Little by little the ennui of years on the farm work their slow poison, and Mary's despair progresses until the fateful arrival of an enigmatic and virile black servant, Moses. Locked in anguish, Mary and Moses -- master and slave -- are trapped in a web of mounting attraction and repulsion. Their psychic tension explodes in an electrifying scene that ends this disturbing tale of racial strife in colonial South Africa. The Grass Is Singing blends Lessing's imaginative vision with her own vividly remembered early childhood to recreate the quiet horror of a woman's struggle against a ruthless fate.

Many will recall the powerful impact The Fifth Child, Doris Lessing's 1988 novel, made on publication. Its account of idyllic marital and parental bliss irredeemably shattered by the arrival of the feral fifth child of the Lovatts made for unnerving and compulsive reading. That child, Ben, now grown to legal maturity, is the central character of this sequel, which picks up the fable at the end of the childhood where the first book ended and takes our primal, misunderstood, maladjusted teenager out into the world, where again he meets mostly with mockery, fear and incomprehension but with just enough kindness and openness to keep him afloat as his adventures take him from London to the South of France and on to South America in his restless quest for community, companionship and peace. As in Mara and Dann, Doris Lessing in this newest book returns to a plain, unadorned prose fit for fables; again, we have a childlike perspective at the heart of the book; again, the world in all its malevolence and misapprehenison swirls around at the edge, while, occasionally, a strong character steps forward to try to stake out some values and practise some good behaviour. Again, it is one of Lessing's novels that will, I think, last most particularly as a work that imaginative teenagers of all ages will be riveted by.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the second instalment in the visionary novel cycle 'Canopus in Argos: Archives'. This is the story of the kindly Queen of Zone Three, who rules a land free of all harshness, and her forced marriage with the soldier-king of Zone Four, which is hierarchic, disciplined, inflexible, dutiful. This apparently difficult marriage, unwanted by both, requires a compromise between impulse and reason, between instinct and logic. Ben Ata learns to accept and then to love the ruler of Zone Three and her alien ways; and she learns to love and to need him. But when the Queen is commanded by the Providers to return to her own realm, she must obey, shattering though it is to leave her husband and child. Ben Ata, in turn, is ordered to marry the savage beauty who rules Zone Five, a land that both unites and reverses the other two Zones. In 'The Marriages …' Doris Lessing uses science-fiction brilliantly to investigate the conflict...

The stories and sketches in this collection penetrate to the heart of human experience with the passion and intelligence readers have come to expect of Doris Lessing. Most of the pieces are set in contemporary London, a city the author loves for its variety, its diversity, its transitoriness, the way it connects the life of animals and birds in the parks to the streets. Lessing's fiction also explores the darker corners of relationships between women and men, as in the rich and emotionally complex title story, in which she uncovers a more parlous reality behind the facade of the most conventional relationship between the sexes.

From Doris Lessing, winner of the Nobel Prize for Literature, this is the first instalment in the visionary novel cycle 'Canopus in Argos: Archives'. The story of the final days of our planet is told through the reports of Johor, an emissary sent from Canopus. Earth, now named Shikasta (the Stricken) by the kindly, paternalistic Canopeans who colonised it many centuries ago, is under the influence of the evil empire of Puttiora. War, famine, disease and environmental disasters ravage the planet. To Johor, mankind is a 'totally crazed species', racing towards annihilation: his orders to save humanity set him what seems to be an impossible task. Blending myth, fable and allegory, Doris Lessing's astonishing visionary creation both reflects and redefines the history of our own world from its earliest beginnings to an inevitable, tragic self-destruction.

From the Winner of the Nobel Prize for Literature 2007, a collection of some of her finest short stories. For more than four decades, Doris Lessing's work has observed the passion and confusion of human relations, holding a mirror up to our selves in her unflinching dissection of the everyday. From the magnificent 'To Room Nineteen', a study of a dry, controlled middle-class marriage 'grounded in intelligence', to the shocking 'A Woman on the Roof', where a workman becomes obsessed with a pretty sunbather, this superb collection of stories written over four decades, from the 1950s to the 1990s bears stunning witness to Doris Lessing's perspective on the human condition.